… edenbray is moving over darling!


Loyal followers of this page and my writing – I have moved to a new site :-




I would LOVE to see you all there!!

yours respectfully


see you soon!

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Originally posted on April 10, 2011 ~ Written 30.06.90 ~ Revised 10.04.2011
… …




☀    ☀

Melior, the strange creature

stumbled toward him

in a blind and ashen fit

he frothed and tore at him

with blind rage and anger

he was lost in an uncontrollable frenzy.

☀  ☀  ☀

Faren caught the strange terror

by his mane and flinging him madly

against the hard stone floor

he drew the glinting rapier from it’s scabbard

and with a cry as clear and hearty as he could muster

threw himself upon the strange animal

and buried the stinging steel

between its breasts.

☼    ☼

Melior convulsed and tore again

with giant hairy paws

reaching vainly at Farens throat

his grey and scaly tail

lashed in a wild circle

but his assailant caught him

a severe blow to the temple

with a mailed fist.


For the first time Melior

uttered a vocal sound,

a terrified cry as the

rapier swung mercilessly

removing a large patch

of his grey spongy flesh

and causing an ooze

which ran with an acrid odour

down his terrified face,

his movements now involuntary

strange, garbled, choking noises

and a wild strangled sobbing

as he writhed violently.

☼  ☼  

The noises abated

the stench now sickening

a final staggered, spasmic reaction

then Melior gasped no more…

Who took the sun

and made a hole in the sky?

Who dressed and cloaked

in dark clouds stole forth

in the daylight and plundered the earth?

Whose murky thoughts invaded

more than a single generation?

Whose evil countenance smiled

and silenced loves sweet

moments for a long hour?

☀    ☀

Meliors thunder was fierce

his lightening a sharp tongue

that lashed and flailed

His anguish a bitter poultice

for the misery born in his heart

and many born old and dying.

Melior, grey and pale

starved of suns warmth

and again roasted black

by suns fiercest rays

outcast and jeolous

his night knew no end.

☀  ☀  ☀

Faren, stood a victor unvanquished

but saddened by the

misery of the battle

with the great grey Melior

now a cold heap lying

who had been a champion

a darkened prince

his latest form now relieved of terror

which seemed to relax

as a rose hue falling

from this evening light

washed over Farens haggard frame

almost bringing to him

the joy of early, regal youth.


Faren knew oh so keenly

the hopeless pain Melior had born

but the gas that now reeked the air

causing even the ground

upon he lay to stain

was indeed the final admission

that Meliors very life had been evil

and as he walked from the scene

his weapon lying spent

beside its final purpose

a calm and special moment grew.

☀    ☀

Farens’ face now caught

the light of the evening sky

it threw a strange colour

an aura around him,

a sky green that drew gold

his eyes still lowered

out of some greater respect

for the many sad tales

this night preceded.


Faren walked toward a turquoise haze

sheltered green by a grassy bank

and as he walked

the dark dreams fell from him like shadows.

He passed through them

his head lifting imperceptibly to the light

while it seemed that figures were appearing

not individuals admiring

more, triumphant armies adoring

as a gentle hollow horn blew

and gained momentum

stirring both sense and emotion

the gathered clans assembling

of every righteous battle won.

☀  ☀  ☀

Now Faren seemed to bear a scar

and every victors garland hung

to his neck most gracious.

He was now adorned royal

and to the horn could now be heard

an anthem quire singing

sweet pain it drew easy.

Farens’ temples bathed in golden light

now held firm and honoured

a gentleness distilled

his eyes softened grey set

lifted the many noble

champions to see.

 ☼  ☼

Gold and silver lined the crowds

a magical dawn, a living allegory

a famed tale, an open hand

as now hung the herald shields

polished bright and glorious

now stored the arms of battle

now formed these soft, sweet words

of memories past when pain had been real

and blood the currency of decision

when the terror of Melior a fabled dragon

may be writ or sung

and the error of the story enormous.

☀    ☀

Now sing the birds

not mourn the wound of creation

Now dance the maidens

not swear the curse of youth

Now laugh the ancients

the eternal children

Now skip the young men

not shame the burden of honour

the bracelet of respect.

Faren’s peoples joy

the uninhibited spectacle

this celebratory feast

this betrothal ceremony

it has begun and never, never would it end.

☼  ☀  ☼







dragons head


#Authors Note ~ BALADINS DREAM : This was actually the 1st published part of a long, unending Collection of Prose – prepared under the theme – Baladin’s Dream – Baladin – a sage, a prophet, a mystic, a mythical and spiritual visitor to various places on our planet and possibly on others also, who, in his latter years recounts from his vast experience of life & experience – both tragedy and joy – either true or imagined, in a rambling tome of memoirs, recollections and supposed wisdom and biographical insights ~ A Dream ~ THE ‘DREAM OF BALADIN’ – The Many Parts of this DREAM take on various poses, are noted at differing times, deal with different facets of human experience and fantasy that can occur within various cultural settings that may suggest Baladin has kind of – always been with us observing life and death from his own wisdom and unique perspective – Join the Dream and you will no doubt be enriched, enthused, enlightened, even en-wisened! .. edenbray14.11.19

#PROG-PROSE ~ Progressive Poetry – part of an #Edenbray retrospective – Re-posted today for a new generation!

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Edenbray portrait


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Olde Mann



Banyanamin’s reign – the oil ran sweetly on this, his Holy isle’s embrace

Adorned as if with golden crown – of sweat and bone and fur and                                                                                   entrance

Candid skies, circle of morning grey neath both tha’ bronzed                                                                                           n’broiled long hae’ther 

Such starlight eyes, so burning sentinels within any weather                                                                                           bruised nor fine

Grizzled, matted and thick locked-hair hangs, sweet rabbit-pelts on                                                                               a poachers pole

This prince, championed by his sternest stare, snorts and swallows                                                                               purest air

Haunches bowed, the neck, the sinews set, the collar, adorned this                                                                               chosen parapet 

As if the day were born in summer-sun he bears against the cold,                                                                                   ash-broken night

Purveys a scene of longest sight, to stamp, to wrestle, then to shout                                                                               his hollow roar 

Of beasts ancient, memories found, not caged or bound – the wolf,                                                                                 the bear, the boar

And Beowulf, vacant ghost of lands, rocks and nature’s grist once                                                                                   hidden in the distant mist


red stag in mist








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The PERCHERS – a guest poem



Tyrranus Forficatus

Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all.

And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.

I’ve heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.

                                                        ~ Emily Dickinson


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Spring 2017 – From Life Birds and “Scissor-tailed Flycatcher (Tyrannus forficatus)” by Mark Miller

The Mind's Eye

The following is an excerpt from the much longer essay named in the title, “Scissor-tailed Flycatcher,” which in turn is part of a much longer work entitled Life Birds. This excerpt explains the genesis of the poem that follows and that ends “Scissor-tailed Flycatcher,” though that bird appears neither in the excerpt below nor in the poem.

. . . One knock against general truths, or principles, is that the freedom to pontificate about them is a perquisite of privilege, and that they do not apply to those who have been deprived of such freedom, who are the victims of persons of privilege. I once had a colleague respond to my written description of how I use Robert Frost’s poem “Stopping by Woods on a Snowy Evening” in my Introduction to Literature class by sending a contemporary response to Frost, Thylias Moss’s poem entitled “Interpretation of a Poem by Frost,”…

View original post 1,161 more words

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I no longer need to be me …


The acknowledgment in no way pre-supposes any hostility or self-image harm but remains a conclusion derived by personal freedom-analysis and a careful conclusion to the submission that I have become tired of the necessity to determine my own image control – I no longer need to be me …





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the bull

Wipe the blood from my brow, I’ve seen much worse than this

Take me into the stalls, the best seats, those ruddy-red plush ones

Where centre of stage they all can feel me, glimpse this animals rage

Not bottled or canned – everyone full-on sees me bold, out of my cage

Exposed to the glare of the sun with my balls hanging free 

Ive seen the obstacles, I know the score, My chances are faint

My weak heart is racing, My sides ache – these wounds scalding-sore

The riders taunting, matador painting – splashed in this animals blood

No time for this bovine to stand aimless, guileless, chewing farmers’ cud 

My place in a march of destiny, I am a creature of meat in August-prime

No care for mens triviality, taken up with the facile of words in rhyme

Life itself, the power of brutal form adorned with behemoth’s mantle

Rid of faceless graces, all traces of the hypocrites scorn or of habits worn

I paw the earth, a storm of dust where men fight freedom & their lust

I shake my head bowed and rush to meet this foe, this final friend

Who draws my pain, my blood, my death, my final breath and lays me to the ground    




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I dunno if I am whistling in the damn wind, getting too old, barking up the wrong tree or just taking life too seriously but I am seeing something insidious wherever I go.

I used that word ‘insidious’ of a workmate in jest, not long ago. I use words like that occasionally. Words you have to spellcheck. Well, she didn’t know what it meant and hey insidious, that is a hard word to describe, especially when you are trying to make a funny gibe at someone. I’m still not sure she got the humour intended even after I had explained it’s meaning. Maybe it wasn’t such a good idea? Maybe I didn’t explain the word too well? Anyway, she doesn’t talk to me as much as before now but well it was just a joke and yes, it sure is still a good word!

There are some words and expressions that say it for me and you can’t tell it any another way. It’s like a joke you have to explain can never really be funny, a cartoon that leaves you confused, just didn’t do it for you or whoever loved a picture they were told was good?

As the guy in the cinema queue in Annie Hall the movie says – ‘Its gotta hit me on a gut level’ or I personally don’t appreciate it and then again, like Woody Allen’s character Alvy Singer, rejoins in the same scene – ‘Boy, what I could do with a sock full of manure right now.’ This, because the guy in the queue keeps on speaking his dogma and personal opinions loudly within Alvy’s hearing.

‘Some things are better felt than telt’ is a saying.

I love sayings, colloquialisms, (boy only one letter out on my spellcheck on that one!) and I love learning new colloquial expressions too because even though I can only barely speak English, (Scottish and Irish) plus a little Glaswegian and maybe a few other rare and special British dialects (clue: there is a joke or three in there .. and if you didn’t see it # it doesn’t really work does it ?!).

I really do love language … Language is communication! .. Language is dynamite!

Two weeks in a Virginia jail
For my lover, for my lover
Twenty thousand dollar bail
For my lover, for my lover

And everybody thinks
That I’m the fool
But they don’t get
Any love from you

The things we won’t do for love
I’d climb a mountain if I had to
Risk my life so I could have you
You, you, you…

Everyday I’m psychoanalyzed
For my lover, for my lover
They dope me up and I tell them lies
For my lover, for my lover

And everybody thinks
That I’m the fool
But they don’t get
Any love from you

The things we won’t do for love
I’d climb a mountain if I had to
Risk my life so I could have you
You, you, you…

I follow my heart
And leave my head to ponder
Deep in this love
No man can shake
I follow my heart
And leave my mind to wonder
Is this love worth
The sacrifices I make?

Two weeks in a Virginia jail
For my lover, for my lover
Twenty thousand dollar bail
For my lover, for my lover

Everyday I’m psychoanalyzed
For my lover, for my lover
They dope me up and I tell them lies
For my lover, for my lover

And everybody thinks
That I’m the fool
But they don’t get
Any love from you

The things we won’t do for love
I’d climb a mountain if I had to
Risk my life so I could have you
You, you, you..

Lyrics to the song ‘For My Lover’ by Tracy Chapman


There are other things you shouldn’t touch but do not mess with language! … or take words out … or re-write words … Are you listening America? – Yes you can add words and maybe some words might be simplified but only if there is a very good and valid reason.

‘Just because you can doesn’t mean you oughta …’

Well this insidious deregulation is affecting everything now. Even the sacred cow is suddenly fair game, even though she has always lived out on the street in open view. Who knew that eventually visitors to countries where there is a custom, might challenge her right to be there, even if that particular sacred cow is a country’s flag on a pole, a long-standing, local and ethnic practice, habitude or the chosen national religion. It doesn’t matter that some care less for their own customs than they should. Even true ‘sacred cows’ wander the streets of India uncared for, unloved, to feed on local refuse which you might say is not what a sacred cow should have to do.

I think maybe respect is what we are alluding to here although even that particular word might need some re-definement from the deregulators curse. Respect does not mean a feigned honour just because it is old but an appropriation, an appreciation and a recognition of a things true merits, based not only on its current status but also its particular historical relevance and I may add ‘reverence’ at the risk of any implied alliteration. Now that is a whole bunch of look-up words for some people to consider and I do not mean to sound patronising.

I see that hand at the back and yes, I knew someone would make that comment. What happened to the ‘it’s got to hit me on a gut level’ point and ‘I thought you were against people telling us what is good’ and therefore worthy of our respect…. No, what I am saying is this – We do not have to enjoy something ourselves to recognise its value or its place in history. This is, after all, why we have National Exhibitions, Art Galleries, Opera Houses and National Theatres, to preserve and honour our National identity, history and culture.

The deregulation I object to, that insidious thing this piece came in on, is the one that is affecting not only a few abbreviated words and Americanisms that may have crept in on the back of our Microsoft and Apple Software ~ Why does my spellchecker continue to give me a dotted line under words like honour?! ~  No, this insidious thing is moving into the realm of our popular culture and affecting things that aren’t 50, 40, 30 or even 20 years old. These things have it seems, not even earned a mundane ‘O well it is pretty old’ kind of respect. They are bull calves, game for slaughter, processing, recycling, even vivisection of the vulgarest order

If it’s not brok’ why fix it?

Why do advertisers process ‘favourite tunes’ for their advertisements and re-record classic pop tunes with bland vocals and homogenised, even soulless soundtracks? Why do they even take just the melodies from memorable chart songs and make different versions, that are vaguely recognisable for background themes. Why do tv programme planners take classic or historic novels, even recent successful drama series  and fit them into modern sub-plots with current speech and up-dated  story lines. Is nothing sacred.

Don’t re-write what I have written

While screenwriters, film directors and writers have fun ‘deregulating’ the greatest of movies and stories by changing characters, situations, emphasis and basic story-lines to suit a new generation I sit back and wail, thinking that one day people will be denied a history of anything.

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“Marchon, the gate is wide open in the complex and I’m looking down a long, retreating corridor. Come over tonight and make me the happiest man in the valley.”

The 1940’s Studebaker rolled effortlessly down Sondrick Lane purring like a feline with its chrome pieces extended, glistening in the sun and it’s buttercream leather seats. The engine noise as soft as baby-skin and LeRou draped over the bucket seat snuggled warm in Vucana wool and Charmeuse at Marvin Bexer’s side. She looked and was a million-buck babe!

Marchon often lamented, that time was a great healer but the hurt that hurts the keenest was seeing another woman happy in the arms of your lover.

“It tears you in two, I don’t truck with jealousy. Sure, I always feel joy for the lady, except that the knife in my chest makes it impossible to smile.”

She turned from the shuttered, sash window and the sunlight left her perfect outline an orange-tinged sunburst that eclipsed the hanging, window blinds. Slant lines blanched across her trim body, striped with a lasered light that filtered through the haze from the corner window as she stood ‘smoking’ in the centre of the room and in every sense of the word!

“We think of others too much Angie! We should spend more time on ourselves. There’s love and then there is lot’s we like to do. We should get a place on the outskirts of town. Have a shack built near Thunder Falls where we could walk and you could learn to river-fish, buy a puppy-dog, you would just love a fluffy mutt. Take time for just the two of us and stop caring so much.”

She rolled the thick, black cheroot between her fingers, blowing plumes of smoke high into the tall, stone-white ceiling-space while she stepped around the room like she was a ballet star warming up. She described her words and thoughts in steps and shapes with exaggerated arm and leg movements, making arcs with her arms and pointing her toes like a regular Margot Fonteyn.

Marchon knew that he loved to watch her ‘perform’. Her body, lithe and lean and well developed in all the right places, moved effortlessly around in the diffused, shadowed aura of their room, her feet feeling the smooth, polished plank flooring or the wool pile of the large, Egyptian-Mumluk rug that Ang had bought her home from that long trip last fall.

Marchon sat on the rug, smoking the cheroot.

“Nothing makes sense anymore when your heart is broken Ang! Is it worse than a bereavement? How can you mourn the loss of a lover? The loss of a friend?” 

Ang, was he smiling? He just listened, as he always did.



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